Untitled, Art – Miami Beach is back to its physical version and it brings together more than 140 galleries from all over the world, as well as non-profit collectives and organizations. Portas Vilaseca Galeria participates once again, this time presenting a unique selection of works by artists Mano Penalva, Pedro Victor Brandão, Rafael Baron and Zé […]
This following Saturday, 20th November, we open “Selfie“, Rafael Baron‘s first solo show in the gallery, where 15 new works from his most recent production in painting will be displayed. The critical text is signed by curator and educator Thiago de Paula Souza, who proposes a look on the role that digital self-portraits have gained […]
Last week to visit “Grande Circo Floresta” (Great Forest Circus), the first solo show of our represented artist Zé Carlos Garcia in the gallery. This following Thursday (28.10), starting at 7.30 pm, Garcia and curator Claudio Oliveira will be in the space for a special talk and tour throughout the exhibition. We are at Rua […]
Represented by Portas Vilaseca Galeria, artist Gustavo Nazareno has been selected at SP-Arte 2021 as one of the finalists of the EFG Latin America Art Award, an acquisition award organized by ArtNexus and EFG Bank that will contemplate the work of a contemporary Latin American artist, through a pre-selection process at art fairs in the […]
For SP-ARTE 2021, Portas Vilaseca Galeria has developed a special solo project bringing together the latest production of Minas Gerais-born artist Gustavo Nazareno, who will present 10 oil paintings of different dimensions and 19 charcoal drawings taken from his series “Bará“. In common, these works emerge from fables, poems and also from Nazareno’s personal spirituality, […]
Next Tuesday (19 October), we open in São Paulo – in partnership with gallery Janaína Torres and curator and educator Gisela Gueiros – “Polygons, porticos, matter and desire”, a group show curated by Cadu Gonçalves that proposes a dialogue between contemporary productions with the Latin American constructivist heritage. Echoing in current practices, the exhibition points […]