“Sorria”, book of Brazilian artist Solange Escosteguy, is an introduction to the production, thought and critical wealth of the artist for the public. Escosteguy took part in the movement known as “New Brazilian Objectivity”, whose manifesto she signed in 1967. Her production is related to geometry, shape, color and text. It takes shape in paintings, sculptures, objects, collages and clothes, all revealing in a playful, poetic and critical way the harmony and tension of what the artist calls “the geometry of life”