
Vitória, ES, Brazil, 1992
Lives and works in Rio de Janeiro, RJ, Brazil.
Her artistic practice takes shape across various mediums, techniques, and scales, with a focused exploration of the color blue—connected both to the landscapes of the island-city where she was born and to aspects of the history of painting. Her work is marked by themes of presence and absence within the Atlantic diaspora. Her production also intertwines with experiences such as urban painting practices, art education, and participation in artist residency programs, including Angola AIR – Espaço Luanda Arte (2022), Outra Margem (2021), Vila Sul – Goethe-Institut Salvador (2020), and Malungas (2018), in collaboration with Brazilian artist Rosana Paulino.
Recent solo exhibitions include: “Ultramar,” curated by Lucas Albuquerque, Eva Klabin Museum House, Rio de Janeiro, RJ, Brazil (2023); “Das promessas que a gente fez,” with a critical text by curator Marcelo Campos, Portas Vilaseca Galeria, Rio de Janeiro, RJ, Brazil (2022).
Recent group exhibitions include: “Encruzilhadas da Arte Afro-Brasileira,” Centro Cultural Banco do Brasil in São Paulo, Belo Horizonte, and Rio de Janeiro, Brazil (2023-2025); “Um defeito de cor,” Museu de Arte do Rio – MAR, Rio de Janeiro, RJ, Brazil; National Museum of Afro-Brazilian Culture – MUNCAB, Salvador, BA, Brazil; and Sesc Pinheiros, São Paulo, SP, Brazil (2022-2025); “Crônicas Cariocas,” Museu de Arte do Rio – MAR, Rio de Janeiro, RJ, Brazil (2021-2022); “Outros Ensaios para o Tempo,” Galeria Nara Roesler São Paulo, in partnership with Portas Vilaseca Galeria (2021); “Enciclopédia Negra,” Pinacoteca do Estado de São Paulo, São Paulo, SP, Brazil (2021); “Atenção Para o Refrão,” Goethe-Institut, Salvador, BA, Brazil (2020); and “Foram os Homens e as Mulheres Negras que Construíram a Identidade Nacional – Vidas Negras do Brasil,” Afro Brazil Museum, São Paulo, SP, Brazil (2020).
She holds a degree in Visual Arts (Teaching) from the Federal University of Espírito Santo – UFES.
Her works are part of significant institutional collections, including: Pinacoteca do Estado de São Paulo; Inter-American Development Bank – IDB Art Collection (Washington DC, USA); Museu de Arte do Rio – MAR; Inhotim; and Mucane – Capixaba Museum of Black Culture.
In 2021, Carvalho was nominated for the Pipa Prize.


“Without leaf, there is no dream
Without leaf, there is no life
Without leaf, there is nothing.”
Ildásio Tavares























